Probably the last regular Friday update for a while. Not that I'm going to go away or anything, but next week I'll have to start studying so I can get a headstart before the baby comes...and then there'll be the small matter of becoming a first-time mum. So now as Summer becomes Autumn, I'm having to accept that I might not have as much time for writing. Nappies and night feeds as well as assignments might have to take priority for a while.
Don't worry though, I'll still update the blog and share stories and poems! Just probably a little less, especially once the baby arrives.
So, what I'm working on:
I finished a draft of the little hillbilly town story, but it needs an awful lot of work yet. So I'll probably try to get some more work done on that. I think now that there might be several stories, set in several different Odd Little Local Towns rather than just the one, as there seems to be too much to fit neatly into one story. Or one town.
I also wrote a piece called Disfigured. Just a flash fiction, but I quite liked it, so I submitted it somewhere as soon as it was edited. Fingers crossed!
It's been a good week, with one story published on Thrillers, Killers 'n' Chillers and another accepted into a Pill Hill Press anthology.
Done some reading this week as well - read The Empress Graves by E. J. Tett, and I'm also reading Stitched Up!, the House of Horror anthology which features one of my stories, as well as some other great tales so far. Since next week I really need to start reading Hamlet and and some chapters on cognitive psychology, a YA fantasy novel and some short stories about zombies are the perfect diversion at the moment!
Now, since it is Autumn, I think I'll light the fire and try to get some writing done while listening to the rain beating against the window, and the dogs snoring. There's inspiration there, somewhere...
Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts
Friday, September 17, 2010
Wednesday, September 15, 2010
Book Review - The Empress Graves by E.J. Tett.
Firstly, I do want to be open and honest here - I know the author, she's a friend of mine and a co-author of Casting Shadows. However, this is a completely honest review of the book. If I didn't like it I would have either not reviewed it, or given it a poor review. You'll just have to trust me on that!
The Empress Graves by E.J. Tett.
The Empress Graves is the second book in the Power of Malinas trilogy. (A Young Adult Fantasy Trilogy). In the first book, The Kingdom of Malinas, the lead character Sorrel (a stroppy 16 year old) fights to defend her people from the Lamya who try to enslave them.
In this follow up, Sorrel is a little older - but still prone to the same impetuousness that on occasion leads her to act first, think later.
She has grown up somewhat though, and now understands the benefit of discipline in her training as a warrior.
She will need that training in order to overcome the challenges posed to her by the evil Empress Graves.
Many other characters from the first book also return, and they too are a few years older - and in some cases, a little wiser. In particular, Sorrel's brother Leif, who is now a leader of his people, but doesn't necessarily display the same confidence around his partner Saoirse who is now heavily pregnant. Sorrel's faithful friends Gaeshi and Little Cloud reappear as well, while there are also some new faces - most memorable among them probably the fast-talking Mojag and the playful, if sometimes irritating, Chogan.
While the action scenes are exciting and the dialogue is snappy, I think the best thing about these books is the way they turn the traditional gender stereotypes in fantasy on their head. Sorrel is a girl, but don't dare try to put her in a dress. I love The Lord of the Rings, but the female characters in that are generally just window dressing (less so in Peter Jackson's film versions, admittedly). Even the Belgariad by David Eddings, another of my personal favourites, which has strong female characters, still doesn't often hand them swords.
Girls aged 12-16 or so have a good role model in Sorrel therefore. She isn't perfect - far from it, in fact. There's plenty for an average bad-tempered, independence-craving but responsibility-shirking teenager to identify with in her character. Especially in this book, where anger threatens to make her enjoy killing and embrace the darkest aspects of her own personality - what teenager hasn't stared into that abyss (well, without the killing part, at least - or I hope so anyway!)? Makes me glad I'm not that age anymore!
In general it isn't just Sorrel who is darker in this book. Other characters such as Faerwald also address fundamental questions with a greater level of depth than the first instalment of the trilogy. Me being me, I quite like that. Dark is good, as far as I'm concerned. Of course, it isn't all dark - this is fantasy, it is all about the triumph of good over evil. But the lines between the two aren't always as clear cut as we might like to believe, and The Empress Graves addresses these grey areas nicely.
Links for further info:
The Kingdom of Malinas Website
E.J. Tett's Blog
The Empress Graves by E.J. Tett.
The Empress Graves is the second book in the Power of Malinas trilogy. (A Young Adult Fantasy Trilogy). In the first book, The Kingdom of Malinas, the lead character Sorrel (a stroppy 16 year old) fights to defend her people from the Lamya who try to enslave them.
In this follow up, Sorrel is a little older - but still prone to the same impetuousness that on occasion leads her to act first, think later.
She has grown up somewhat though, and now understands the benefit of discipline in her training as a warrior.
She will need that training in order to overcome the challenges posed to her by the evil Empress Graves.
Many other characters from the first book also return, and they too are a few years older - and in some cases, a little wiser. In particular, Sorrel's brother Leif, who is now a leader of his people, but doesn't necessarily display the same confidence around his partner Saoirse who is now heavily pregnant. Sorrel's faithful friends Gaeshi and Little Cloud reappear as well, while there are also some new faces - most memorable among them probably the fast-talking Mojag and the playful, if sometimes irritating, Chogan.
While the action scenes are exciting and the dialogue is snappy, I think the best thing about these books is the way they turn the traditional gender stereotypes in fantasy on their head. Sorrel is a girl, but don't dare try to put her in a dress. I love The Lord of the Rings, but the female characters in that are generally just window dressing (less so in Peter Jackson's film versions, admittedly). Even the Belgariad by David Eddings, another of my personal favourites, which has strong female characters, still doesn't often hand them swords.
Girls aged 12-16 or so have a good role model in Sorrel therefore. She isn't perfect - far from it, in fact. There's plenty for an average bad-tempered, independence-craving but responsibility-shirking teenager to identify with in her character. Especially in this book, where anger threatens to make her enjoy killing and embrace the darkest aspects of her own personality - what teenager hasn't stared into that abyss (well, without the killing part, at least - or I hope so anyway!)? Makes me glad I'm not that age anymore!
In general it isn't just Sorrel who is darker in this book. Other characters such as Faerwald also address fundamental questions with a greater level of depth than the first instalment of the trilogy. Me being me, I quite like that. Dark is good, as far as I'm concerned. Of course, it isn't all dark - this is fantasy, it is all about the triumph of good over evil. But the lines between the two aren't always as clear cut as we might like to believe, and The Empress Graves addresses these grey areas nicely.
Links for further info:
The Kingdom of Malinas Website
E.J. Tett's Blog
Tuesday, July 27, 2010
Solitude and Silence
I have a strange personality. At times I come out of tests as introverted, others as extroverted. There are occasions when I will ignore a ringing phone or knock at the door if at all possible, and other times when I crave company and conversation.
What is even more interesting about that is that I learned earlier this year in psychology that introversion and extroversion are actually created by brain processes. Introverts have a high level of cortical arousal, meaning they seek out silence, while extroverts have low levels of cortical arousal and therefore seek out company, noise and excitement. Is my brain moodier than the rest of me?
When writing though, I am definitely in introvert mode. Ultimately I think I swing more in that direction. I can be sociable, but it takes more effort, even when I want it, then being alone. There are so many things I can do when I'm alone. As many things as there are ideas in my head or books on my bookshelf. Writing and reading suit solitude and silence. Sometimes I like music on in the background, but frequently I'll forget to change the CD when it finishes. I'm barely even aware of it, and I tend to concentrate better on writing at least without it being on at all.
No distractions. The dogs can bark and I'll barely hear it, though at other times I'd find the noise ear-splittingly loud. The cat can go unfed, for all that she whines about it - also quite vociferously, I might add, she has a hell of a miaow for one so small.
There are always distractions, if I seek them out. I have an email notifier, and as well as the daily emails from various mailing lists, organisations, etc, as well as those from friends, and prospective editors, I have facebook and twitter set up to email me whenever someone sends me a private or direct message. When I'm trying to force myself to write (or more often, to edit something I've already written) these distractions do just that. Distract me. When I'm in a truly creative flow though, nothing can interrupt. Little flashes on the screen or noises - I hardly even notice them, and they soon go away.
When really writing, I seek silence and solitude.
What is even more interesting about that is that I learned earlier this year in psychology that introversion and extroversion are actually created by brain processes. Introverts have a high level of cortical arousal, meaning they seek out silence, while extroverts have low levels of cortical arousal and therefore seek out company, noise and excitement. Is my brain moodier than the rest of me?
When writing though, I am definitely in introvert mode. Ultimately I think I swing more in that direction. I can be sociable, but it takes more effort, even when I want it, then being alone. There are so many things I can do when I'm alone. As many things as there are ideas in my head or books on my bookshelf. Writing and reading suit solitude and silence. Sometimes I like music on in the background, but frequently I'll forget to change the CD when it finishes. I'm barely even aware of it, and I tend to concentrate better on writing at least without it being on at all.
No distractions. The dogs can bark and I'll barely hear it, though at other times I'd find the noise ear-splittingly loud. The cat can go unfed, for all that she whines about it - also quite vociferously, I might add, she has a hell of a miaow for one so small.
There are always distractions, if I seek them out. I have an email notifier, and as well as the daily emails from various mailing lists, organisations, etc, as well as those from friends, and prospective editors, I have facebook and twitter set up to email me whenever someone sends me a private or direct message. When I'm trying to force myself to write (or more often, to edit something I've already written) these distractions do just that. Distract me. When I'm in a truly creative flow though, nothing can interrupt. Little flashes on the screen or noises - I hardly even notice them, and they soon go away.
When really writing, I seek silence and solitude.
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